There’s something rather depressing about the fact that, despite nearly a century separating the publication of Virginia Woolf’s novel Orlando in 1928, and the première of Olga Neuwirth‘s opera Orlando in 2019, the topic of gender identity and fluidity continues to be regarded as such a hot, controversial topic in…
"It's the most beautiful ugly sound in the world."
Olga Neuwirth - Orlando - 5:4
Olga Neuwirth - Orlando - 5:4
Opera as a Genre/Gender-Bending Experience: Olga Neuwirth's Orlando @ The Wiener Staatsoper - Irenebrination: Notes on Architecture, Art, Fashion, Fashion Law, Science & Technology
Opera as a Genre/Gender-Bending Experience: Olga Neuwirth's Orlando @ The Wiener Staatsoper - Irenebrination: Notes on Architecture, Art, Fashion, Fashion Law, Science & Technology
Contemporary Women Composers, Page 9
Opera as a Genre/Gender-Bending Experience: Olga Neuwirth's Orlando @ The Wiener Staatsoper - Irenebrination: Notes on Architecture, Art, Fashion, Fashion Law, Science & Technology
Orlando: Olga Neuwirths androgyne Klänge
Review: An 'Orlando' Opera Is a Milestone, but No More, in Vienna - The New York Times
An Interview with Olga Neuwirth – mdw-Magazin
Opera as a Genre/Gender-Bending Experience: Olga Neuwirth's Orlando @ The Wiener Staatsoper - Irenebrination: Notes on Architecture, Art, Fashion, Fashion Law, Science & Technology